234 Royalty-Free Audio Tracks for "Dexed Harp"

Amazing Grace, sung by the Sacred Harp Singing Society, directed by "Uncle Bill" Hardeman and recorded by Alan and John Lomax. Recorded at the Sacred Harp Singing Convention in Birmingham, Alabama.

New Britain: C. M. ("Original Sacred Harp") - The first sound recording of the song "Amazing Grace"

The dx-harp sound,made popular by ray lynch. Created with dexed-vst and audacity.

Près de la table auf Harfe

Xylo auf der Harfe

Beispiel étouffer Harfe

Klopfen auf der Harfe

Pedal Slide auf der Harfe

Eine Tonleiter im staccato auf der Harfe

Pincé auf der Harfe

Fingernagel Harfe

Glissando in As auf der Harfe

Beispiel enharmonische Verwechslung auf der Harfe

London Bridge song played with Jew's harp by Alexander Nevzorov

Kamus

This is a soundsample for a jew's harp made by me! you can all do what u want with it! its free! :-)

C-Dur Glissando auf der Harfe

The song "Windham" by Daniel Read; piano reduction, altered to Dorian mode as an illustration of the use of this mode in Sacred Harp singing Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain.

Akkordglissando auf der Harfe

Original Description: Song 95 from The Sacred Harp, performed by New Harp of Columbia at Headricks Chapel, Wears Valley, Tennessee.

Fantasia or Norma. Mira, o Norma; arr. ; a harp solo by Francis J. Lapitino, Victor 17929Français : Fantasia ou Norma. Mira, o Norma, un solo d'harpe par Francis J. Lapitino. Enregistrement publié en 1915 sous l'étiquette Victor (no 17929).

The range of a Jew's harp as string harmonics:“By using the cavity of the mouth as a resonator, each harmonic in succession can be isolated and reinforced, giving the instrument the compass shown. The lower harmonics of the series cannot be obtained, owing to the limited capacity of the resonating cavity. The black notes on the stave show the scale which may be produced by using two harps, one tuned a fourth above the other.” This file plays harmonics 4, 5, 6, 7, 8, 9, 10, 11, and 12.

While cleaning up i found a cd-r with harp samples that i recorded in lengfeld a few years ago. Recorded with zoom h2 ,processed with audacity. Here you are.

The basic sounds are three samples ,taken from my kawai-k1. I resampled them,denoised them and put them into my yamaha moxf6-synth.

A pluck on a jew's harp. Recorded late at night in my bedroom on a samsung mp3 player. I enhanced it to the best of my abilities in audacity since the original recording had a low bitrate (64kbps mp3), the volume was low and it had a lot of static noise. Unfortunately the recording have a lot less warmth to it than the instrument has in reality. I am not sure of the tone of the harp but i believe it is a c, if it is not please let me know. 1 of 15.

The sound is composed with four partials,each partial includes a number of different harmonics,similar to additive synthesis. I am using yamaha moxf 6.

Harp and soprano sax solo by myself.

Thumb harp.

Short sample of a jaw harp. . .

Chorusharp,created with audacity. Analysis and resynthesis of an electric harp sound. For the plucknoise i added a filtered white noise. No samples used,my own creation.

boing effects created with a jews harp, recorded with a rode nt1a condenser mic.

Four samples of a celtic harp. (d4-a4-d5-f#5)looplenghts: 150-100-75-119(59,5). My own production.

My own creation. Five samples of a celtic harp,which have the followingloop-length: 336-200-150-100-67 (c3-a3-d4-a4-e5).

All sounds are created with the pluck-. Function of audacity. I modified the attack phase, changed some harmonics with notch-filter andlowpass. For the pluck noise i used a bandpass- filtered white noise.

Noise i made with a jews-harp. Recorded on zoom h6 with sennheiser ew100g3 cardioid microphone.

I searched for a long time to find a jaws harp sample and eventually found one and successfully extracted a few notes from a very old appalachian folk song field recording, well out of copyright. I sampled a single note, which then fed ok into a midi keyboard, allowing me to effectively play jews harp melodies. The result was pretty ok.

I searched for a long time to find a jaws harp sample and eventually found one and successfully extracted a few notes from a very old appalachian folk song field recording, well out of copyright. I sampled a single note, which then fed ok into a midi keyboard, allowing me to effectively play jews harp melodies. The result was pretty ok.

I used the `pluck`-function of audacity,to create this sound.

Another sketch idea.

Some riffing on a small bamboo mouth harp purchased in yunnan, china. The pumi name for these instruments is didi or cuocuo. This one is a relatively low register, for this instrument. Recorded with toptech tf-a27 digital voice recorder.

Decided to test my mic to record high frequencies)) note that even with a decrease in the loop on the octave (-12). Harmonic signal will sound up to 20 khz. Tune: f2, +25 centrecord gear: ecm 8000, prismsound lyra. .

Recorded about every sound you can get off a chinese guzheng, tuned in d pentatonic. Recorded with blue spark and blue bluebird condenser mics through a scarlett 6i6 interface. No credits necessary but i'd like to hear what you use it in!.

This is what the harp wire strings sound like when pulled really hard so that they hit each other, creating a buzzing sound. (source sound for must 121 musique concrete project, partner: megan berger).

A midi harp sound.

A 5 minute silent timer with 1 minute warning chime and harp strum at 5 minutes.

Ascending tones on a harp. Created in garageband.

Baschet instrument studio recording.

Piano harp recording sequence.

Harp band filtered sample remix.